|
|
Literary Theory
|
|
|
Sergeiy Sandler
|
The Place of Carnival in the Context of Mikhail Bakhtin’s Philosophy
|
10-28
|
|
Françoise Lavocat
|
Boundaries between Fiction and Fact in the Light of The Three Level Comparative Studies
|
29-42
|
|
Eugenia V. Ivanova
|
Biography Genre in Russian literature: European and British Influences
|
43-59
|
|
Yuri N. Girin
|
The Birth of Avant-Garde from the Spirit of Modernism
|
60-69
|
|
|
World Literature
|
|
|
Mikhail L. Andreev.
|
Tragicomedies of Carlo Goldoni
|
70-81
|
|
Jörg Schulte
|
The Gates of Horn and Ivory: A Geographical Myth
|
82-91
|
|
Elena V. Haltrin-Khalturina
|
Edmund Spenser’s “The Faerie Queen” as Continued Allegory”: From Emblematic and Conceited Writing to Symbolical
|
92-111
|
|
Nadège Langbour
|
Le paradoxe du critique d’art: la tension entre pathétique et ironie devant les tableaux touchants
|
112-121
|
|
Ekaterina P. Zykova
|
Romantic Self in Search of God: Religious and Philosophical Quest of S. T. Coleridge
|
122-140
|
|
Natalya V. Lidzerhos
|
The Aphorism and Play in the Artistic Paradigm of the Novels by Crébillon-fils
|
141-161
|
|
Alla A. Strelnikova
|
The Motif of the Theatre Play in the 19th Century Austrian Fiction
|
162-173
|
|
Gérard М. М. Siary
|
Portrait de l’artiste en Sinologue Camillo Pessanha (1867–1926) et la China
|
174-183
|
|
Natalia Yu. Kharitonova
|
Andre Gide’s Retour de L’U.R.S.S. and Its Publication History: A View from the Kremlin
|
184-192
|
|
|
Russian Literature
|
|
|
Mikhail Yu. Ljustrov
|
On the Fragmentary Perception of French Literature in the 18th Century Russia and Sweden
|
193-204
|
|
Yuri V. Mann
|
Gogol: Academic and Complete
|
205-215
|
|
Irina I. Sizova
|
Leo Tolstoy’s Popular Theatre: The Beginning of the Writer’s Educational Service
|
216-234
|
|
Lena Szilard
|
Blok’s Rose and Cross in the Light of Rosicrucian Traditions
|
235-261
|
|
Anna S. Akimova
|
Peter the Great Revised: On the History of the Text of Alexey Tolstoy’s Novel
|
262-277
|
|
|
Literature of the Peoples of Russia
|
|
|
Venera R. Amineva
|
The Non-(Post)Classical Worldview in the National Historical and Literary Process: On R. Akhmetzyanov’s Poetry
|
278-297
|
|
|
Folklore Studies
|
|
|
Andrey L. Toporkov
|
“The Verse about the Holy Mountain” by Vyacheslav Ivanov: A Close Reading. First Essay
|
298-324
|
|
Alex L. Nalepin
|
In Search of Folklore Imperative: Ivan A. Il’yin and Philosophical Thought of the Russian Immigration CircleM
|
325-339
|
|
|
Textology. Materials
|
|
|
Elena A. Gurevich
|
A Selection of Skaldic Poetry
|
340-356
|
|
Rafael Carrión Arias
|
Manuel Altolaguirre. Federico Garcia Lorca, dramatic poet
|
357-364
|
|
Alexander N. Belarev
|
“Yours, P.C.W.” The Unpublished Letters of Paul Scheerbart to Erich Mûhsam
|
365-398
|
|
Elena A. Papkova
|
The Invention of Peasant Literature: (On the Materials of the All-Russian Society of Peasant Writers (VOKP), IWL Department of Manuscripts)
|
399-418
|
|
|
Academic Life
|
|
|
Lidya A. Spiridonova
|
Contemporary Gorky Studies
|
419-433
|
|
Elena D. Galtsova
|
Overview of the International Symposium “Napoleonic Myths in World Culture: Epistemology, Axiology, and Representations in Literature, Historiography, and Art”
|
434-444
|
|
Maxim V. Skorokhodov
|
Esenin’s Reception in Russia and Abroad
|
445-456
|
